Julian Schnabel makes art out of life, finding his materials in the fabric of the everyday. He uses broken plates as an improbable picture ground; he paints on velvet, market stall covers, army tarps, kabuki theater backdrops, and boxing ring floors, found surfaces that lend their own rich history to the artist’s exploration. A figurehead for the return of painting after his overnight success with a first New York solo show in 1979, he has since worked in a wide variety of media: making sculptures that transpose his pictorial forms into space as raw, seemingly time-worn artifacts; directing award-winning movies that paint portraits of artists and other subtly heroic figures; and even building his own dream of a Venetian palace in New York. “I want my life to be in my work, crushed into my painting like a pressed car. If it’s not, my work is just some stuff,” Schnabel has said, and this urgency permeates his oeuvre no matter what means or media the artist chooses.
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